FINAL PREDICTIONS 01/25
I've replaced EVAN with SCARLETT. In the end, much as I've always loved Evan and feel she's worthy I just can't see Oscar nominating a 16 year old for the lead --they can still honor the youth in film (and young women did have a great year this year) with a Johansson nomination --which would still set a record for youngest best actress nominee. Plus, I feel the film will be the sleeper of nomination morning with 4 other tech nods as well. It makes sense. Plus, as many have remarked it's a "near silent" performance and Oscar loves that. (Griet isn't mute --but you get my point) AND Lions Gate had the advantage over many studios in the fact that they got their screeners out well before the other studios since they weren't involved in the ban. If we see nominations for The Cooler, Girl with a Pearl Earring, and Shattered Glass --I think that's proof positive (as if anyone needed it) that screeners do give films an advantage.If I'm wrong I'm wrong --but my fellow onliners Nick and Engin have bolstered my confidence that Johansson is going to place here.
But, regardless, of the eventual outcome SCARLET JOHANSSON will be a major story on Oscar nomination morning. Either shut out completely despite a great year,
or a well deserved nomination somewhere OR a double nomination. We shall see.PREVIOUS (edited) THOUGHTS ON FINAL PREDICTIONS 01/23
There's just no figuring this one out. Compare this for example to last year. There were only 6 women essentially competing for 5 slots. Nobody thought Maggie Gyllenhaal or Isabelle Huppert had a real shot. And even if you include them as long shots... that's still 8 women vs. the 12 still sort of alive this year. With each precursor choosing a different set of five --and the media concentrating on those the precursors haven't chosen...it's been very hard to read. And with the competition all over the place, everyone's votes are siphoned away. Leading one to wonder how many shocks could happen?
In the end I don't really expect to hear Evan Rachel Wood's name called out... although I have faith in UMA. I really do. It's no sure thing but as hunches go, I feel good about it AND it would thrill me. Every once in a while, you know, Oscar owes me for my devotion (ha ha)
The reasons I thinking EVAN still has a shot to make it (or be in sixth place) are three-fold. One) Her co-star is Holly Hunter who, the last time she was nominated, also brought a young performer into the winner's circle with her. Holly is awesome with younger actresses onscreen. Two) The performance warrants it and enough precursors have agreed to give one hope. And Three) I really do not believe Kidman will be nominated. Call me crazy but she missed the SAG and missed out on a BAFTA nomination ---That has to mean something considering BAFTA went crazy in love for Cold Mountain.
Precursors: National Board of Review -DIANE KEATON -Somethings Gotta Give European Film Awards -CHARLOTTE RAMPLING -Swimming Pool New York Film Critics Circle -Hope Davis -The Secret Lives of Dentists/American Splendor Boston Film Critics: Scarlet Johansson -Lost in Translation San Francisco Film Critics Charlize Theron -Monster San Diego Film Critics -Naomi Watts 21 Grams Seattle Film Critics -Hope Davis American Splendor Southeastern Film Critics Naomi Watts 21 Grams Washington DC Film Critics -Naomi Watts 21 Grams National Society of Film Critics -Charlize Theron Monster Florida Film Critics Naomi Watts 21 Grams Las Vegas Film Critics: Charlize Theron -Monster / Dallas Fort Worth Film Critics: Charlize Theron Monster Online Film Critics Society Naomi Watts 21 Grams Kansas Film Critics: Jennifer Connelly -House of Sand and Fog Los Angeles Film Critics Naomi Watts -21 Grams Broadcast Film Critics Association Charlize Theron -Monster Utah Film Critics -Diane Keaton -Somethings Gotta Give Phoenix Film Critics Naomi Watts -21 Grams Cinemarati Uma Thurman -Kill Bill, Volume 1
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Final
Predicted Nominees - as
of 01/25/04
Key: Green = Lock / Yellow =Probable / Red = Who Knows. Vulnerable / Blue = Unlikely If I had a ballot |
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1 (1)(1)(2)(2)(2)(3)(7)(17)
Charlize Theron MONSTER (Dec) never nominated |
2
(2)(2)(1)(1)(1)(1)(1)(7)
Diane Keaton SOMETHING'S GOTTA GIVE (Dec) 3 noms / 1 win |
3
(3)(3)(7)(10)(6)(8)(4)(3)
Naomi Watts 21 GRAMS (Nov) never nominated |
4
(4)(4)(6)(9)(13)(18)(20)(-)
Uma Thurman KILL BILL, VOL. I (Oct) 1 nom |
5
(10)(10)(11)(17)(17)(14)(16)
Scarlett Johansson GIRL WITH A PEARL EARRING (Dec) never nominated |
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wins:
NSFC, Dallas, OFCS, NBR (B-Thru),
San Francisco
noms: SAG, GOLDEN GLOBES, ISA, BFCA & Golden Satellite |
wins:
NBR, Utah
noms: SAG, GOLDEN GLOBES, DC, BFCA & Golden Satellite |
wins:
LAFCA,
OFCS, DC, San Diego, Florida, Phoenix, SEFCA
noms: SAG, BAFTA, BFCA, Cinemarati & Golden Satellite |
wins:
-Cinemarati
noms: OFCS, BAFTA, GOLDEN GLOBES, EW (Entertainer of the Year) |
wins
-
noms: GOLDEN GLOBES, BAFTA, Cinemarati, London |
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Pro:
Oscar voters love prosthetics, weight gains, prostitution, real life characters, and glamour girls gone to seed for a role. They also love career makeovers. She's 6 for 6. Secret Weapon: Some people already knew she could act. Con: The film is too small, divisive, and dark for attention elsewhere ... and it's not particularly loved by critics (other than Ebert) so she's on her own. |
Pro:
Keaton has been up for an Oscar in each decade of her stardom. Could she add one more decade to her run? Advance word is good suggesting its "her film" Secret Weapon: Her particular brand of la-di-da is generating considerable nostalgia and it is GREAT to see her onscreen again carrying an entire film. Con: It's a Nancy Meyer's comedy -is that really Oscarable? |
Pro:
Requisitely histrionic. Plenty of Oscar clip choices. Tied for first with most precursor awards (w/ Theron) Secret Weapon: Mulholland Drive snub. Acting in the rarified company of DelToro and Penn. The leader in critics awards. Con: Will enough AMPAS members be willing to sit through the grueling, difficult film? That is the real question. Some people feel it's a one note performance. |
Pro:
Truly outstanding in a difficult role. Some say it's her best performance ever. Secret Weapon: Rough personal year. And that often helps (see also: Nicole Kidman '01) Plus she's working the talk show circuit - it's something of a major comeback & something of a definitive role. All are important things. Con: Action films rarely reap acting nods. Even Crouching Tiger couldn't manage it. |
Pro:
Raves and nothing but. Film snuck up in December and WILL get some nominations (we shall see how many) it's a very impressive and quiet performance. Secret Weapon: In many ways, it's her year. Plus Griet barely speaks and they love stuff like that. It's a faux mute performance (ha) Con: Battling it out with yourself is not so smart. But with Lost in Translation derailing some of her votes, it's tough to say where or if the Academy will notice her at all. |
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The
Alternates
Practically anything could happen this year. Including the fifth slot going to someone in the "out of the race" section below. This category -at nearly every awards groups selections has surprised. |
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6
(5)(9)(9)(8)(15)(11)(12)(10)
Evan Rachel Wood THIRTEEN (Aug) never nominated |
7
(7)(8)(5)(6)(14)(12)(12)(8)
Cate Blanchett VERONICA GUERIN (Oct) 1 nom |
8
(6)(6)(3)(3)(7)(6)(8)(6)
Nicole Kidman COLD MOUNTAIN (Dec) 2 noms /1 win |
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wins:
-LAS VEGAS (Youth in Film Award)
noms: GOLDEN GLOBES, SAG, DC, Golden Satellite (Shared nom), BFCA (Young Actor) |
wins:
-
noms: GOLDEN GLOBES, DC |
wins:
-
noms: GOLDEN GLOBES, London, BFCA |
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Pro:
Already an immense talent to watch at just 15 years old. Secret Weapon: Can you nominate Holly (likely) without considering nominating Evan? Con: The film may be too small for notice and her character (and performance) to true -and thus unlikeable. They'll have more chances to reward her as she ages. |
Pro:
She won mostly raves in this Schumacher drugs vs. journalism drama. Secret Weapon: Oscar hat trick: Accent, bio-pic, death. Could be the surprise nominee that everyone in retrospect agrees OF COURSE SHE WAS NOMINATED. Con: The film tanked in a large way. She peaked early. |
Pro:
She's the reigning champion and a very visible lead in a very visible film. Secret Weapon: Still the media's top show girl. Still often in the news. Con: Zelwegger steals every scene from her and Jude Law gets the bulk of the film's most moving scenes. Everyone agrees it's not close to her best work. And some people really dislike the performance. |
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The
Alternates -Not as Longshot as Usual in a Bizarre Year
Practically anything could happen this year. Including the fifth slot going to someone in the "out of the race" section below. This category -at nearly every awards groups selections has surprised. |
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9
(8)(12)(11)(7)(8)(7)(6)(5)
Samantha Morton IN AMERICA (Nov) 1 nom |
10
(9)(5)(8)(13)(10)(14)(17)
Scarlett Johansson LOST IN TRANSLATION (Sept) never nominated |
11
(11) (NEW)
Patricia Clarkson THE STATION AGENT (Nov) never nominated |
12
(12)(12)(7) (4)(5)(3)(2)(3)
Jennifer Connelly HOUSE OF SAND AND FOG (Dec) never nominated |
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wins:
-
nominations: -ISA, BFCA, & Golden Satellite |
wins:
Boston
nominations: OFCS, GOLDEN GLOBES, BAFTA, BFCA (Supporting) Cinemarati, & Golden Satellite (Supporting) |
wins:
-most awards for supporting and shared
with Pieces of April NSFC, Florida, NBR, Boston, San
Diego (Body of Work) nominations: SAG
& Cinemarati (Lead)
& Golden Satellite
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wins:
Kansas
nominations: -BFCA |
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Pro:
She's immensely talented and the film is moving. Secret Weapon: Hard to forget in any film she's in -including this one. The intense love people feel for it could yank her in. Con: The film and her role may be too small for her to gain multiple nods. Fox's early waffling on which category to campaign her in wasn't the best thing -nor was her noticeable media absence when compared to other candidates. |
Pro:
Raves and nothing but. Film doing exceptionally well in precursors. It's an acting duet and her partner is formidable. Could be a Leaving Las Vegas / What's Love Got... (must nominated both people) type of thing. Secret Weapon: In many ways, it's her year. Con: Committing category fraud in a big way -trying to get nominated in supporting despite this being essentially a two person film. As a result I think she'll be left out altogether. |
Pro:
The greatest supporting actress working got three mentions at SAG -indicating that people have finally realized her worth (about 5 years too late but oh, let's not nitpick.) Secret Weapon: Really three dimensional in this role. If they see it... Con: SAG nominating committee does not have a great overlap with AMPAS members this year. Most attention this year has come (oddly) for her lesser work in Pieces of April. |
Pro:
Well, they've already shown that they love her tearful self. Secret Weapon: That best actor magic rubbing off from Ben Kingsley Con: Passed over by all of the major precursors. So it looks extremely doubtful for our Jen. Perhaps it's the role? It's not like her character is particularly sympathetic and you know how warm and fuzzy the Oscar voters like it. |
OUT OF THE RACE BUT THEY DID GET SOME MENTIONS ALONG THE WAY
Helen Mirren (GOLDEN GLOBES, EFA, London, & Golden Satellite)
Jamie Lee Curtis (GOLDEN GLOBES, Cinemarati, Golden Satellite, EW (Great Performances)
Charlotte Rampling (EFA win, London nom)
Hope Davis -American Splendor (NYFCC/Seattle)
Diane Lane -Under the Tuscan Sun (GOLDEN GLOBES, Golden Satellite nom)
Angela Bettis -May (OFCS Nomination)
Zooey Deschanel -All the Real Girls (Cinemarati nom)
COMPLETELY SNUBBED BY EVERY ORGANIZATION
Meg Ryan -In the Cut / Cate Blanchett -The Missing / Gwyneth Paltrow -Sylvia
PREVIOUS PREDICTIONS
FINAL January 18th Keaton, Theron, Thurman, Watts, Wood
January 8th Johansson, Keaton,Theron, Thurman, Watts
January 1st Blanchett, Connelly, Keaton, Kidman, Theron
December 22nd Connelly, Keaton, Kidman, Mirren, Theron
December 8th -Blanchett, Connelly, Keaton, Paltrow, Theron
November 19th -Blanchett, Connelly, Keaton, Mirren, Watts
October 13th -Blanchett, Connelly, Mirren, Morton, Watts
July 22nd -Blanchett, Connelly, Kidman, Ryan, Watts
April Fools -Connelly, Kidman, Mirren, Morton, Ryan
PREVIOUS UPDATES
Updated 01/21/04
In other news: BAFTA Nominees: Scarlett Johansson (twice!) Lost in Translation & Girl with a Pearl Earring / Anne Reid -The Mother / Uma Thurman -Kill Bill, Volume 1 / Naomi Watts -21 GramsIn prediction news: I don't have a lot of confidence in these predictions. Everything statistically tells us that Evan Rachel Wood will be nominated. But she is 16 years old. It would be a first in this category... she would be beating Isabelle Adjani's The Story of Adele H record breaking "youngest lead actress nominee" by 3 to 4 years. So... can she do it? SAG suggests she can... but then, they are more likely to For now I'll say "yes" But with votes spread out over soooo many candidates it's really tough to say where the 4th and 5th slots are going to go this year.
It remains VERY competitive. My "no guts, no glory" selection? I'm sticking with Uma Thurman despite the evidence that this is not a good bet. In her place should probably be Nicole Kidman, despite the SAG absence... but with Cold Mountain sinking in the best picture category --and actor support weak with SAG (only Renée survived the cut) it has to fall somewhere. This seems like a good place since no one thinks it's close to her best performance. And, I think rather tellingly, even in the BAFTA nominations where Cold Mountain struck gold, there is no coinciding Kidman nomination.
If I had a ballot
Updated 01/16/04
The SAG nominations and the surprises just keep on coming! I've often remarked here on these Prediction Pages that Best Actress has been the wildest ride this year. Over 18 women have been recognized in some fashion for their work in the last calendar year (given the breadth of names honored - it's rather shocking to note that early oft-mentioned actresses like MEG RYAN and GWYNETH PALTROW were never once honored) Given that the precursor awards have been so widely divided, the Oscar lineup still remains highly volatile.The Locks: DIANE KEATON & CHARLIZE THERON have led the way for the duration of awards season with smashing reviews, press attention, and repeated precursor mentions. They're the only two actresses in the race never to have faltered from critics awards to Golden Globes to SAG.Ê They're as locked for a golden boy run as its possible to get. NAOMI WATTS is next in line for her divisive work in 21 Grams. Some folks see her work as one note. Others (several critics groups) consider it the best of the year. But her first Oscar nomination looks all set now. She is the only Globe snubee to have sufficiently bounced back and she's kept a high profile all season.
EVAN RACHEL WOOD is the loveliest choice SAG made today. Though she hasn't exactly been hurting for awards attention during the Oscar precursors, she has yet to "win" something... and she needed all the nominations she could muster to prove to AMPAS balloters that she deserved to play with the goddesses she was in the running against. Yet the question still nags: Will they really nominate a 16-year-old? They've never gone that young in this category before. And isn't Evan hurt slightly by the divided "youth vote" attention this year. It was a great year for younger performers with Keisha Castle Hughes and Scarlett Johansson also making big impact on audiences. Will Evan be the teen-ager of choice? Or will the happy kudos end here?
PATRICIA CLARKSON -SAGs biggest surprise. Triple nominated for Lead, Supporting, and Ensemble. Aside from shared precursor awards for "Supporting" & a low profile nomination as lead at the Cinemarati awards (a critics organization I am a member of) this is Patty's first real significant mention of the season. Can she repeat at Oscar? It's doubtful given the numerous names in competition and her even clearer shot at a supporting nod.
With the race being so competitive every vote will count... Can Wood and Clarkson hold on to their SAG spots come Oscar nomination morning, or will the Academy go with more traditional names: There's still NICOLE KIDMAN, last year's champion, for her work in Cold Mountain (she was also snubbed by SAG in 2001 but went on to a richly deserved Oscar nod that same year for Moulin Rouge!) Then there's Golden Globe nominees CATE BLANCHETT, who had a disastrous year at the box office but received rave reviews nonetheless for her two performances) and UMA THURMAN (who has all but slain her competition in the hard-to-read intangible of press coverage for her commanding comeback in KILL BILL. And are JENNIFER CONNELLY (shunned by everyone but the BFCA) in House of Sand and Fog and . And there's still the category confusion of SCARLET JOHANSSON to consider.
Updated 01/14/04
Utah goes for Keaton, Phoenix for Watts (still piling up critical plaudits and bewildering me). Meanwhile the SAG nominations are announced on Thursday morning. Oscar ballots are nearly all in... so it won't change the outcome but it might give us a clearer picture of what that outcome will be. Next prediction change -if a prediction change is necessary will be that night after the SAG nominations. NOTE: Scarlett Johansson due to SAG submission rules is NOT eligible for a lead nomination for Lost in Translation. But Oscar rules are different so anything still goes for her.
Updated 01/11/04
BFCA chooses CHARLIZE THERON which should promptly begin her slow march to the Oscar. (zzzzz. They are so predictable)Updated 01/08/04
LAFCA picks NAOMI WATTS (god, they're took forever) But I don't think it matters much at this point since (historically speaking)
the majority of the ballots are already turned in by now. My prediction changes are below. I've thought about this a long time and I thought go against the grain and follow buzz. i.e. which performances are people really TALKING about. Not which performances did everyone really always expect to be here. (I'm talking to you Nicole) Who are people talking about in magazines, online, etc...? So the list below is partially for fun and partially because I think the common consensus (nearly always considerd to be in this order: Theron, Keaton, Kidman, Watts, Connelly. Is not going to happen in a tight race like this one. But nevertheless, to prevent angry letters just let it be known that I believe spots #3 through #8 are like a hairwidth difference in voting -so it's sort of like throwing cards into the air and seeing who lands face up. It's no big thing. It's going to be some combo of these first 8 people. Maybe 9 if voters watch their Thirteen screeners. For now, I'm going with a combo that I'd be pretty happy with. Why not think positively, at least for the time being.
It could go any which way.
I don't care what EW's track record is. They aren't going to be 5 for 5 in this crazy crowded category this year.Updated 01/01/04
I change my mind about this race daily. There's still 12 women who are in play. That's a lot for this late in the nomination game. Usually by the time ballots are out it's closer to 8 real threats -like it is over in Best Actor. Basically 4-9 feel on equally footing for me. Seriously. As do 10-13 as dark horses -because in any race this close with votes distributed all over the place, surprises are most definitely possible. Despite the Globe shut out of Connelly and Watts they do still seem like strong contenders. This is such a nail biter. It's beyond exciting, right? Mirren, despite her film opening seems to not be building ANY buzz. Morton also seems to be falling rapidly in buzz. Surprising but there it is. Building buzz? The only one's currently that have any sort of upward momentum are Watts (critics probably rallying after Globe shut out -LAFCA will tell us how much) and Johansson who is getting increasingly hard to ignore with the success d'estime of LiT and the current hot ticket, Pearl Earring. Scarlett could definitely be the year's surprise.Updated 12/22
Golden Globe nominations gave a boost to Uma, Evan, Cate, and others. Dealt a blow to Naomi & Jennifer. But the Globes influence will be severely weakened since Oscar voters won't see the Globe ceremony, and the attending celebrities until after they've turned in their nomination ballots. This could potentially mean that BFCA nominees/attendees (Keaton, Theron, Kidman, Connelly, Morton, Wood, and Watts) get a bigger boost than some of the Globe people -if they make a strong impression and enough people watch that show in its first televise year. But it's a new year in many ways. It's tough to say what's going on/what influence precursor awards have this year. One thing is sure: This particular race remains excruciatingly tight. The amount of possible combination seems a bit staggering. Basically I see the difference between the competitors from #4 to #11 as being miniscule. Like a fraction more strength from one to the next. This is a true nail biter. The precursors have been all over the map this year leaving little indication as to which way Oscar will be going.