Awards Page Index * OSCAR coverage here
'05 FiLM BiTCH Awards

by Nathaniel R


These pages contains some SPOILERS regarding the year's films


Traditional Oscar categories: Majors / Technicals / Technicals 2 (Tally of Noms)
Special Categories: Extras
/ Extras 2 / Scenes 1 / Scenes 2 (Tally of Noms) / Movie Mixers (Poll Games)

 

Best Kiss
pucker up. they're here

Takuya Kimura & Faye Wong
2046
Jake Gyllenhaal & Heath Ledger
Brokeback Mountain
Connie Nielsen & Nikolaj Lie Kaas
Brothers
Terrence Howard & Taraji P Henson
Hustle & Flow
Joaquin Phoenix & Reese Witherspoon
Walk the Line
Can androids love? In 2046 anything seems possible.
First hesistant. Later caution thrown aside as a wife looks on.
Grief transforming unfriendly in-laws into a new friendship.
Shug and DJay seek solace in each other as major changes approach.
The whole film is like one delayed makeout. Great chemistry.
 

Finalists: Colin Farrell & Q'Orianka Kilcher The New World * Brad Pitt & Angelina Jolie in Mr & Mrs Smith * Russell Crowe & Renée Zellweger Cinderella Man *
Semi-Finalists:
Matthew McFayden & Keira Knightley in Pride & Prejudice * Natasha Richardson & Ralph Fiennes in The White Countess * Jesse Bradford & James Marsden Heights
* Jake Gyllenhaal & Gwyneth Paltrow Proof


Best Sex/Love Scene
lets get drrrty

Tony Leung & Ziyi Zhang
2046
Jake Gyllenhaal & Heath Ledger
Brokeback Mountain
Rachel Weisz & Ralph Fiennes
The Constant Gardener
Birol Ünel & Sibel Kelkilli
Head On
Maria Bello & Viggo Mortenson
A History of Violence
Lots of sex from Mr. Chow, but he's no longer in the mood for love.
From rough to tender -young ranchhands falling into each other.
Beautifully shot romance --a romance with a lot of questions.
Head on indeed. Self-destructive souls finding and losing a new love.
From tender to rough -a confused but eroticized marriage.
 

Finalists: Colin Farrell & Q'Orianka Kilcher fall in poetic love in The New World * The kinky full-lipped glory of Jonathan Rhys Meyers & Scarlett Johansson in Match Point *
Semi-Finalists: Embeth Davidtz & Allesandro Nivola burn with newlywed enthusiasm in Junebug * Stephane Freiss & Valeria Bruni Tedeschi going backwards in love in 5 x 2: Five Times Two *

 

Best Musical Number from a Musical Film
the showstoppers are

The Producers
"I Want to Be a Producer"
The Producers
"Springtime for Hitler"
Rent
"La Vie Boheme"
Tim Burton's Corpse Bride
The Piano Duet
Walk the Line
"Folsom Prison Blues"
Susan Strohman sure can stage a musical number, can't she? I don't even like the song and I was totally with it.
This number nets the stage version's biggest laugh. Not quite as funny here but still pleasingly over-the-top tasteless tacky.
The best moment didn't get screwed up! Mostly because its hard to screw up. Makes you wish you were partying with them.
Some numbers in Corpse Bride are a shade too manic, so this quiet and hugely charming moment pays off in sharp affecting constrast.
This cliche ridden 'artist finding his voice' sequence really shouldn't work. But boy does it. You can't wait to hear it again.
 
Finalists: "I'll Cover You" Jesse L Martin --Oh can that man sing. Best vocal performance of the year despite the disappointing film version of Rent surrounding him * Any of the musical sequences in Walk the Line, really. Gotta love Reese & Joaquin as June & Johnny. This movie would have been even better if it had just been a concert film ;) *
Semi-Finalists: "When You Got It, Flaunt it" Uma letting down her hair in The Producers. So good to see actors having fun onscreen * The "Tango Maureen" in Rent is blessedly free of Chris Columbus's constant reaction shot cutting since it's a fantasy sequence. Who would be looking at it other than you? So you, the audience, actually get to watch the damn thing instead of watching people watch it. What a concept. * "Welcome Song" The first musical moment in Charlie & The Chocolate Factory is the best. Knowingly weirdo and better yet, it doesn't outstay its welcome.

 

Best Musical Sequence from a Non-Musical Film
the transfiguring moments are

Happy Endings
"How Lucky Am I?"
Hustle & Flow
"I Told Jesus"
Hustle & Flow
"It's Hard Out Here for a Pimp"
Junebug
George's Hymn
Pride & Prejudice
Darcy & Elizabeth dance
The reveal of Maggie's pipes is deeply pleasurable --as is this performance. Record a whole album, Maggie!
The scene that basically kicks off the entire plot --revealing the musical love and dreams within. Love the tears.
Very much a movie construct, all these hoes and pimps with sudden moving talent. But still --you can't help but love it.
The most indelible sequence in a movie that catches you offguard with discovery...just like this hymn that the wife witnesses.
An old hoary gimmick: erase or blur out crowds to spotlight a couple. Still. Everything about this setpiece works.
 

Finalists: None.
Semi-Finalists:
Any of the rehearsal sequences in The Beat That My Heart Skipped * Sayuri's "Snow Dance" in Memoirs of a Geisha is a visual spectacle. *

 

 

Best Action Sequence
the armrest grippers are

"Braddock vs. Baer"
Cinderella Man
Action-fillled climaxes, even when you know how they're going to turn out, ought to feel like they just might not go your way. This bout was impressively visceral for such a soft film.
"Front Yard Bloodbath"
A History of Violence
Cronenberg's mastery is in ample evidence here. Super tense scene with complicated points of view, and explosive moments. Its both satisfying and sickening simultaneously.
"T-Rexes Vs. Kong"
King Kong
I fear Kong's overlong and back-to-back-to-back setpieces may prophesy a downward turn in Jackson's films. But it's hard to quibble with this one: scary, inventive --hugely satisfying.
"Bar Fight Betting"
Ong Bak: Thai Warrior
This movie's entire budget wouldn't pay for 60 seconds of a setpiece in a Hollywood event picture. But the fight choreography and Jaa's physicality are better special effects than you can buy.
"General Grevious Attacks"
Star Wars Episode 3: Revenge of the Sith
Much as I dislike the new SWs, the force is usually with at least one moment an episode. I was a starry eyed kid again when General Grievous whipped out not one but four lightsabers.

Finalists: Ong Bak: Thai Warrior -pick a scene, any scene. No seriously. It's all exuberantly fun to watch with frequent jaw-dropping moves. I only picked the bar fight as top of the heap because it's the one I remember most vividly. * King Kong atop "The Empire State Building" was pure iconic magic * Kung Fu Hustle all kind of bleeds together for me action wise but I got quite a kick out of "the reveal" of the legendary fighters living drab lives in the once-quiet town now under seige. *
Semi-Finals: The Beat That My Heart Skipped That final gross and bloody fight in "the stairwell" felt scarily real. * The charmingly brief thriller Red Eye hit a great 1st act climax with the "Pen Attack" and Lisa's escape from the airport * I thought that "the final battle" in Chronicles of Narnia was like the movie itself lacking in magic and detail, but the White Witch's battle choreography what with the double swords and strange fighting style was a beautifully unsettling touch in the oceans of CGI. * Harry Potter & the Goblet of Fire "Harry vs. the Dragon" had some of hit series best visual effects *

 

Traditional Oscar categories: Majors / Technicals / Technicals 2 (Tally of Noms)
Special Categories: Extras
/ Extras 2 / Scenes 1 / Scenes 2 (Tally of Noms)



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