Awards Page Index * OSCAR coverage here
'07 FiLM BiTCH Awards

by Nathaniel R


Traditional Oscar categories: Majors / Acting / Technicals / Technicals 2 (Tally of Noms)
Special Categories: Extras
/ Extras 2 / Scenes 1 / Scenes 2 (Tally of Noms) / Movie Mixers (Poll Games)


Please note: I follow similar rules to Oscar in terms of double nominations. Like Oscar I don't allow them in the individual acting races but I also don't allow them in the behind camera categories either so, for example, a costume designer can't be nominated for two different movies in the costume design category.

 

Best Actress in a Leading Role
the goddesses

Julie Christie
"Fiona"
Away From Her
Nicole Kidman
"Margot"
Margot at the Wedding
Laura Linney
"Wendy"
The Savages (and "Claire" Jindabyne)
Ellen Page
"Juno"
Juno
Tang Wei
"Wong Chia Chi"
Lust, Caution
Gifted with a dream role, she returns w/ a radiant star turn. Her elusive grip on memory and that mix of resignation and terror for her vanishing self are heartbreaking
bonus points
"Don't they remember Vietnam?"
An incisive, biting and darkly comic examination of one damaged and cruelly dominating sister and mother
bonus points
So honest a portrayal that you end up feeling for Margot's deep hurt, despite her vicious verbal lashings
It's a toss up as to which role. If I allowed for two nominations here, she'd hog 2/5ths of the list. She implodes with guilty perfection in Jindabyne and totally owns The Savages with her immaturity and sly wit

"I don't really know what kind of girl I am" Page knows exactly what kind of girl Juno is, expertly balancing off the cuff guard humor w/genuine emotion
bonus points
Can't have been easy to sound this natural

Arguably the most demanding female role of the year: a naive student turned fledgling spy turned reckless woman in love. Wei makes you believe in every last shift
bonus points
This is a screen debut !? As such it's a flat out miracle
 
Finalists: Angelina Jolie was impressive in A Mighty Heart selling Mariane's intellectual strength and controlled emotion deftly. When she does break down its devastating * Anamaria Marinca has the difficult task of holding the camera in rapt attention for the entirety of 4 Months, 3 Weeks and 2 Days

Semi-Finalists: Enchanted doesn't quite ask enough of Amy Adams but she elevates the movie with ample invention, deft mimicry and sweet humor * Carice van Houten is the year's other incredibly winning female spy in Black Book (breakthrough) * Ashley Judd unravels with co-dependent desperation in Bug * Molly Shannon wows with that frozen grin of interpretable shadings in The Year of the Dog. Like so many memorable characters in 2007, she's flailing to find herself * Halle Berry does her most subtle work in Things We Lost in the Fire * I also thought Keira Knightley was spot on in Atonement but the film belongs to McAvoy and the Brionys


discuss on the blog

 

Best Actor in a Leading Role
the idols

Casey Affleck
"Robert Ford"
The Assassination of Jesse James
Daniel Day-Lewis
"Plainview"
There Will Be Blood
Benicio Del Toro
"Jerry Sunborne"
Things We Lost in the Fire
Tony Leung
"Mr. Yee"
Lust, Caution
Viggo Mortensen
"Nikolai"
Eastern Promises
Captures great pathos in Ford's hero worship and the shift to the Judas role, showing how discomfort in his own skin informs both
Bonus Points:
The last act (all his) makes the film
There's a whole ocean underneath this star turn: its a black hearted elemental force
Bonus Points:
"I've abandoned my child" the best single scene work of the year, bar none
What happens if you give the best and fullest performance of your career and nobody shows up?
Bonus Points:
Always presents Jerry's humanity but never invites easy sympathies
One of the great stars. He succinctly captures all the mysteries, cruelties and romance of this elusive target with limited screentime
Bonus Points:
From jewelry store to bedroom: he's come undone

Such specificity here: every sigh, gesture, threat, resignation. He's pitch perfect throughout
Bonus Points:
Reveals his hand but never loses the mystery of the man
 

Finalists: George Clooney -burdened, compromised and excellent as Michael Clayton * James McAvoy, a nominee last year right here was just a dream in Atonement, a brash romantic figure cut short and transformed to angry war-scarred lover * Oscar loves a biopic so why so little attention for Control, one of the better ones? Sam Riley does his own singing and sadly displays the loneliness and emotional/physical terror of disease, fame and depression that tore Ian Curtis apart *

Semi-Finalists: Michael Shannon, so great on stage in Bug transitioned the character to screen with disturbing psychology intact * Glen Hansard can add natural screen actor to his list of many talents after Once * Josh Brolin was all stubborn no nonsense masculinity as the protagonist of No Country For Old Men (see also: body of work award) * Phillip Seymour Hoffman was unusually generous and in fine duet form with Laura Linney in The Savages *

Oscar's Race for Best Actor

 

 

Best Actress in a Supporting Role
huge assets

Cate Blanchett
"Jude"
I'm Not There
Charlotte Gainsbourg
"Claire"
I'm Not There
Imelda Staunton
"Dolores Umbridge"
Harry Potter and the Order of the Phoenix
Tilda Swinton
"Karen Crowder"
Michael Clayton
Marisa Tomei "Gina"
Before the Devil Knows You're Dead
Her most valuable acting tool is her voice, and it's put to stellar use for the centerpiece Dylan proxy
Bonus Points:
That unpleasant ego flaring up in thorny oroborus conversations. The final smile
[paraphrased from my review]
'her highly specific gravity, that sad undertow in her face. Claire proves a welcome, steady anchor in this sea of mutation'
Bonus Points:
a bewitching break up monologue
A wickedly inventive act. Imelda seizes the film as ruthlessly as Dolores conquers Hogwarts
Bonus Points:
The throat clearing, that swallowed chirp of a giggle --vocal tics both funny and creepy
She refashions a tricky role into a fascinating study of self-preservation and performance anxiety. An intelligent and gripping actorly feat
Bonus Points:
Her mesmerizing rehearsals
All childish shrugs and inchoate emotional response: a woman who doesn't know herself (full review)
Bonus Points:
Break up. She can't even decide how much to hurt him. She can't see one emotion through
 
Finalist: Saorsie Ronan is a precocious bad seed as the youngest "Briony" in Atonement but what's most interesting about the character is the way that the three actresses (Romola Garai and Vanessa Redgrave, the others) playing her both match and depart from one another. Still, Saorsie kicks off the character like a true pro. Can't wait to see what she does next.

Semi-Finalists: There's six more I want to mention: Emily Mortimer's sweet compassion in Lars and the Real Girl was key to its success, helping audiences suspend their disbelief * Michelle Pfeiffer (my personal goddess) returned with a vengeance as "Lamia" in Stardust and "Velma" in Hairspray --but more on both of those star turns later. Kelly MacDonald deepened the terror of No Country For Old Men with the gift of tender humanity in her final scene * Samantha Morton is potent and completely believable as the abandoned, confused and rather simple "Debbie " in Control * Lesley Mann was game, funny, and striking in Knocked Up * And last but not least, Sigourney Weaver was a laugh riot in the otherwise middling comedy The TV Set. "14 share motherf***ers!"
Oscar's Race for Supporting Actress

 

Best Actor in a Supporting Role
lynchpin players

Javier Bardem
"Anton Chigurh"
No Country For Old Men
Hal Holbrook
"Ron"
Into the Wild
Irfan Khan
"Captain"
A Mighty Heart
Max von Sydow
"Papinou"
The Diving Bell and Butterfly
Tom Wilkinson
"Arthur Edens"
Michael Clayton
One could argue that he's the lead of No Country For Old Men but, then again, he's also tantalizingly but a ghost. He haunts whether on screen or off
Bonus Points:
"Friendo"
He doesn't appear for hours but when he does, the film isn't the same again. A tender honest portrayal
Bonus Points:
...that reshapes (or reconfirms) your views of the lead character
The standout in an impressive and complex web of actors, gifting his character with backstory and agenda amidst the chaos
Bonus Points:
His family man in The Namesake
Hugely moving in just two sequences, this legendary actor helps you understand what father and son possessed and what's been lost
Bonus Points:
That telephone call: gah! Bring a hankie
A full throttle turn, selling the crazy without losing the character
Bonus Points:
That street scene instantly pulls the rug out. You've been warned. This man: not to be underestimated
 

Finalists: Mark Ruffalo, Anthony Edwards and Robert Downey Jr. But how to choose between all these haunted men, destroyed by the Zodiac killer? *
Semi-Finalists: Michael Cera wonderfully natural and pussy-whipped in Juno * James Marsden is divinely silly in Enchanted. The fist biting... priceless (see also: Body of Work Award)* Tommy Lee Jones' great voice... his gravitas --too hear and see it defeated is a huge boost to No Country For Old Men's steamroll power * Bruce Greenwood was a wonderful foil for Cate Blanchett in I'm Not There

Oscar's Race for Supporting Actor

discuss on blog

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