Awards Page Index * OSCAR coverage here
'07 FiLM BiTCH Awards

by Nathaniel R


Traditional Oscar categories: Majors / Acting / Technicals / Technicals 2 (Tally of Noms)
Special Categories: Extras
/ Extras 2 / Scenes 1 / Scenes 2 (Tally of Noms) / Movie Mixers (Poll Games)

 


Best Musical Number from a Musical Film
the showstoppers are

"Going to Acapulco"
Jim James
I'm Not There
"I Can Hear the Bells"
Nikki Blonsky
Hairspray
"Falling Slowly"
Glen Hansard & Marketa Irglova
Once
"Happy Working Song"
Amy Adams
Enchanted
 "Welcome to the 60s"
Nikki Blonsky & John Travolta
Hairspray
The last supposition within I'm Not There is my least favorite but this funereal sequence was a keeper
Blonsky was such a find and she proves it in her second solo. That's one crisp sweet set of pipes. We can hear the bells, too
The central duet is a stunner and there's the added rush of being seemingly willed into rough draft life by their connection
Aside from the inspired recurring gag of Giselle's dress making, this is the funniest (if obvious) scene spoof in the movie
As long as Travolta is singing and dancing I love his performance as Edna. A fun energetic mother/ daughter number
 
Finalists: Hairspray "You Can't Stop The Beat" - This property has never been 'subtle' but it's still a minor miracle that the musical can stop the show so many times ...and keep going!* Once "If You Want Me" -the one moment where it threatens to become a more traditional musical. But even that abnormality plays fluidly *
Semi-Finalists: Hairspray "Run and Tell That" * Hairspray "Without Love" * Sweeney Todd "By the Sea" * Sweeney Todd "A Little Priest" * Sweeney Todd "Not While I'm Around"

P.S. 1 And I liked some of the musical numbers in La Vie En Rose & Control but they were all quite similar (and in the former case the structure obstructed any emotional context so I can't even remember how they fit into the movie) so that's why neither film is here, despite some well made song sequences

P.S. 2 It's sweet music to my ears that so many song-filled films are being made again.

 

 

Best Musical Sequence from a Non-Musical Film
the tuneful surprises are

Black Snake Moan
dance
Evening
calming her children
Juno
"Anyone Else But You"
Lust, Caution
in Japan
 Persepolis 
"Eye of the Tiger"
Rae in recovery: still sweaty and sizzling
the young Ann sings to her children
the movie is often busy but it ends w/ grace & simplicity
the spy bewitches her target in enemy territory
offkey but so funny and popculture universal
 

Finalists: Eastern Promises (celebration) * Black Book (Rachel entertains the Nazis)*
Semi-Finalists: Evening (Claire Danes & Patrick Wilson sing) * The Assassination of Jesse James (Zooey Deschanel) *
...and I really wish I could count The Simpsons Movie "Spider-Pig" but it's just a couple of (blissfully funny) seconds


Best Action Sequence

the armrest grippers


The Bourne Ultimatum

Tangiers
I can't tell where anybody is but only in the Bourne films does increasingly commonplace cuisinart editing still pack some visceral thrill.
Eastern Promises
bath house
Bloody uncomfortable. Bloody naked. Bloody realistic (with style). Bloody inventive.
Bloody good.
The Host
first attack
Invented use of obstructed views, slo-mos and editing. Both hiding and revealing the monster with cinematic enthusiasm.
No Country For Old Men
hotel showdown
Even when
Llewelyn & Anton share the screen, they don't. From lightbulb unscrewing to street bleeding, its sheer (Coen Bros) mastery.
Stardust
The Witch, the Prince and the Hero
Momentarily dropping the CGI (sweet relief!) and bringing us a scary, well choreographed and magically hokey but fantastical climax.
Finalists: Grindhouse: Planet Terror Cherry finally discovers her calling in the gonzo finish * Beowulf (Beowulf vs. Dragon) a serious advancement in CGI action animation * Lust, Caution (virgin assassination) the political activists finally put their ideals to the test in this awkward sickening murder. Fantastically directed (as is the movie in general) * Grindhouse: Death Proof (Zöe on the car). OK it's half the movie. But what a half! (third?) *

Semi Finalists:
I Am Legend -discovery of the hive. Love Smith's commitment to the hero's fear * Spider-Man 3 -Hobgoblin vs Spider-Man. Visual thrills intermittent but it's strangely less joyous this time. Maybe too much of a good thing? * Beowulf (Beowulf vs. Grendel) hilarious but gross * Transformers -there's a few truly mesmerizing images (obviously used in the trailer ---like the robot running down a freeway but most of the time it's difficult to make out what's actually happening. It's carnage alright. But when where and how? who knows... *


Best Kiss
pucker up. they're James McAvoy is here

Atonement
James McAvoy & Keira Knightley
Away From Her
Julie Christie & Gordon Pinsent
Becoming Jane
James McAvoy & Anne Hathaway
The Diving Bell and Butterfly
Mathieu Amalric & assorted women
 Evening 
Hugh Dancy & Patrick Wilson
"I love you"
"come back to me"
(sniffle x two)
"I'd like you to make love to me and then I'd like you to go"
"what value would there be in life if we are not together?"
imagined, remembered, over oysters... a film full of sensual lips (and tongue)
Hugh Dancy is the movie's saving grace. Oh the pain of unrequited love
 
Finalists: Eastern Promises the final kiss is incongruous to the materal but it's still interesting. More on that right here* The Savages
Semi-Finalists: Juno * Hairspray *


Best Sex / Love Scene

lets get drrrty

Black Book
Carice van Houten & Thom Hoffman
Bug
Michael Shannon & Ashley Judd
The Darjeeling Limited (strictly speaking: Hotel Chevalier)
Natalie Portman & Jason Schwartzmann
Lady Chatterley
Marina Hands & Jean Louis Coullo'ch
Lust Caution
Tony Leung Chiu Wai & Tang Wei
Never mix business with pleasure. Pleasure before business? Business than pleasure than business/pleasure?
Double exposure is not just a simple aesthetic here but a psychological reveal and a horror
If only Darjeeling were as great as its preface. If only Portman would disrobe more frequently
A gradual unfolding of sensuality as the lovers become more comfortable, more connected
Long in coming and seismic in impact for the movie. A theoretical plan meeting a physical reality
 
Finalists: Grindhouse: Planet Terror "missing reel" (Rose McGowan & Freddy Rodriguez)* Atonement caught in the act (Keira Knightley & James McAvoy) *
Semi Finalists: Knocked Up "you're prettier than me" (Seth Rogen & Katharine Heigl) * The Savages neighbor with a dog (Wendy & Larry & Wendy's neurosis) * Black Snake Moan (Christina Ricci & anyone) *

 

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