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Entries in Production Design (228)

Saturday
Oct282023

You got to love that "Master Gardener" wallpaper

by Cláudio Alves

If you've read my thoughts on Decision to Leave, you might have realized I'm obsessed with wallpaper as set design. Indeed, one of these days, I might do a Top Ten best wall coverings in Park Chan-wook's filmography, for he remains the king of wallpaper cinema. Not that the Korean master is the only cineaste to dip their toes into these pools of scenographic goodness. Recently, one can think of the nauseating renovations in Zone of Interest, the autumnal florals in Killers of the Flower Moon, Priscilla's pretty pastels, and Cobweb's domestic nightmare.

Still, in 2023, one film utilized wallpaper like no other – Paul Schrader's Master Gardener, with sets designed by Ashley Fenton…

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Tuesday
Jun132023

Yes No Maybe So: "Poor Things"

by Cláudio Alves

Vasilis Marmatakis has done it again. Yorgos Lanthimos' preferred poster designer always knocks them out of the park, and his latest creation's no different, hitting that sweet spot between beauty and unease. Poor Things looks impossibly enticing, mixing the lushness of period stylings with bodily discombobulations that hint at the mysteries of Emma Stone's character. She'll be Bella in this adaptation of Alasdair Gray's 1992 novel, a resurrected young woman who pursues personal freedom beyond the will of Dr. Baxter, the scientist who brought her corpse back to life. The original text has been described as funny, cerebral, and dirty, making it sound like the perfect playground for Lanthimos and his particular brand of off-kilter cinema.

Along with this new poster, Searchlight Pictures also released the theatrical trailer for the movie, whose American release is scheduled for September 8th. Considering that date, one wonders if the work might be headed to the Venice Film Festival. While waiting for confirmation, let's delve into the trailer and give it the customary 'Yes No Maybe So' treatment…

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Saturday
Apr082023

The haunting beauty of "Kwaidan"

by Cláudio Alves

This month, in the Criterion Channel, there's a spotlight on Kwaidan, the Masaki Kobayashi classic that became the first significant example of Japanese horror to reach international audiences. You can find critic Grady Hendrix exploring the 1964 anthology on the streaming service, but that's far from the only reason you should check it out. Kwaidan collects four ghost stories that, together, form cinematic poetry of ravishing beauty. No wonder Kobayashi's film has entranced The Film Experience for years. Dancin' Dan once wrote about Kwaidan for the Oscar Horrors series, Nathaniel and Juan Carlos discussed it in podcast form, and I highlighted its costuming for an idealized Oscar ballot

Still, it's never a wrong time to re-consider Kwaidan, to get lost anew in its visual splendor...

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Wednesday
Oct262022

Who will be nominated for Production Design?

by Nathaniel R

As we did with Costume Design, let's look at the most likely Oscar contenders in its sister Eye Candy category (i.e. the "Moulin Rouge!" categories), Best Production Design. The following nine films are not ranked but grouped in 'types'-- in fact I don't think the last two have much of a prayer but in a just world, they would! Oscar voters vote solely on the category achievement itself (as they should) but on all sorts of things first and foremost being whether they like the film itself. It also helps to belong to the right genre and, in the case of craft categories, to have a showy "Most" feeling... 

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Wednesday
Jun012022

Cláudio's Best Shot Pick: Yentl (1983)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Barbra Streisand's directorial debut, Yentl. In 1983, she was infamously snubbed for a Best Director Oscar nomination after winning the Golden Globe. You still have time to participate! Here's Cláudio's entry:

This isn't the first or second time I've explored the wonderful world of Yentl on The Film Experience. First, when writing about two instances when the same performance got nominated for both an Oscar and a Razzie, I defended Amy Irving's work, concluding she deserved the former rather than the latter. Then, when revisiting all of Babs' work as a director, Yentl emerged as her most passionate project as well as the best showcase for the star's behind-the-camera talents. Check out those other articles if you're interested.

My positive feelings about Yentl haven't changed with this Hit Me With Your Best Shot-prompted revisit. In other words, I'm still a fan…

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