Link Me Amadeus

The Ringer "X-Men Apocalypse Self-Loathing Index" funny stuff on which actors want to be there and which are embarassed by it
Variety Peter Shaffer the man behind the classic plays turned classic movies Amadeus and Equus has died at 90 because 2016 is the worst (The Grim Reaper must want to make his bonus this year or something)
The Playlist Splash is getting a remake (with an unnamed twist). Good luck trying to beat Daryl Hannah as Madison. They'll need it. 

Seventh Row "Matthias Schoenaerts and the art of not speaking"
The Economist Why does The Shining have such cross media cultural staying power? 
Variety wonders if its time for Emmys to bring back blue ribbon panels and divvy up the voting with so much acclaimed television coming from such unlikely places. Why not do it like Oscar's foreign film committees to narrow things down before final nomination voting?
Comics Alliance investigates what's going on with the movie rights to Namor, the Sub-Mariner since even Marvel executives have often been wrong about it in quotes. The basic gist is "we don't know" but the punchline of the article is wonderful
Pajiba on Mystique's shape-shifting and the X-Men's Queer metaphors. I like this piece but I still hate the idea of a Mystique movie with Jennifer Lawrence which the internet keeps wishing for. It's the only performance she's ever given that seemed to have zero interest in its own existence. Dear actors, please never take roles you're not interested in if you already have enough money. It only hurts the movie and the audiences. 
The Film Stage new trailer to Phantom Boy from the directors of the Oscar-nominated A Cat in Paris. Oh, and here's the new poster:

If you'll recall I loved this movie when I saw it at TIFF last September and urge you to go see it when it hits theaters on July 15th. We already have two animated contenders, the other being Zootopia, to really get behind this year for Oscar nominations for Best Animated Feature. 

OffScreen
New York Times great essay by Wesley Morris on how Muhammad Ali evolved from sports idol to the public's conscience

Tweetweek: Babs, Ali, and Baby Alicia

Weekly tweet roundup for bite-sized amusements or insta-feelings. After the jump... X-Men, Alicia Vikander and goodbyes to Muhammad Ali (RIP) who led such an eventful life and inspired so many that I've lost track of how many documentaries there are about him. Plus that underappreciated Michael Mann biopic.  

Key detail: The Oscar is like, "I will pose with the rest of you, but you may not touch me." (h/t @wondermann5) pic.twitter.com/F2QqFsU2NM

— Mark Harris (@MarkHarrisNYC) June 1, 2016

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Where Does Will Smith Go From Here?

Kieran here. It may be heresy to admit this among other cinephiles, but I like Will Smith. I think he’s a talented actor. On a more personal level, I’m not nearly as irrationally annoyed by him or his children as many seem to be. Earlier this week it was announced that Smith and his Suicide Squad director David Ayer have inked Netflix’s biggest film deal to date with their supernatural police thriller Bright. He was once thought of as the industry’s last true movie star. With both this new project and Suicide Squad (out later this year), one wonders what’s on the horizon for Will Smith...

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Interview: Chivo on The Revenant, Great Auteurs, and Instagram Spying

For a man who's won two consecutive Oscars and could well make history with a third in as many years, Emmanuel Lubezki is a surprisingly humble fellow. The Mexican cinematographer, better known these days as "Chivo" since everyone is familiar with extraordinary gift and using his nickname now, shakes off my initial gushing as we meet. He is quick to cite assistants and crew members and focus pullers for the magic. But I press on. I really want to know hear how it feels for him to be a legend in his field, a two time Oscar winner and someone who's name is spoken with a certain reverence. He shakes this off, too, adamantly but graciously "I don't know what you're talking about! I don't feel that at all. But thank you!"

Some of his innocence about the kind of reviews he regularly receives could be chalked up to how completely immersed he gets in each picture. His work isn't over when a film wraps since post production can also be lengthy with different prints for IMAX and such. He's been inside The Revenant for a year. 

 I'm just coming out of the cave where I've been, I'm just starting to come back to life. 

Our interview is after the jump...

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