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Entries in Luca Guadagnino (44)

Friday
Nov042022

It's 'Armageddon Time' (...and other new releases)

by Nathaniel R

Jaylin Webb and Banks Repata in ARMAGEDDON TIME

Though Hollywood blockbuster lovers are waiting until a week from today for their holiday movie season to kick off with Black Panther: Wakanda Forever the rest of us have plenty to enjoy in theaters right now since "Prestige Movie Season" began a few weeks back. If you haven't caught up with The Banshees of InisherinTÁR, Till, Triangle of Sadness, and The Woman King yet, this is the weekend to do it since everything (well, maybe not Banshees) will lose screens to the Wakandans on November 11th. Tick tock tick tock. Get to the movies!

There's other even newer stuff this weekend, too...

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Saturday
Sep032022

Venice at Home – Day 3: From Galleries to Gangsters

by Cláudio Alves

Day 3 at the Venice Film festival finds a nonfiction master dipping his foot into the murky waters of fictionalized narrative. Frederick Wiseman's A Couple purports to dramatize the correspondence between Leo Tolstoy and his wife, starring Nathalie Boutefeu, working from a script made from documented letters. Elsewhere in the official competition, Luca Guadagnino helms Bones & All, a cannibal romance starring Timothée Chalamet and Taylor Russell. Finally, Romain Gavras brings Athena to the festivities, working alongside Ladj Ly, who co-wrote the film.

As we wait for these movies to become more readily available, let's consider their directors' previous works, including an ode to museums, a fashionable short, and a Scarface revision…

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Wednesday
Feb162022

I'll Link to That: Dune, Teen Wolf, and The Gilded Age

Interview Kirsten Dunst interviews her Melancholia costar Alexander Skarsgárd about the demands of making his Viking period epic The Northman. Fun banter!
Gr8ter Days takes a 40th anniversary look back at the first mainstream gay movie, Making Love
Cartoon Brew struggles over abusively low salaries for artists in Japanese anime

Dune Part Two, The Gilded Age, Teen Wolf, Anders Danielsen Lie, Teen Wolf, and a new Luca Guadagnino project after the jump...

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Wednesday
Aug112021

Luca Guadagnino @ 50: A Trilogy of Desire

Happy belated 50th to Luca Guadagnino.

by Cláudio Alves

Like many a director in film history, Luca Guadagnino's cinema is characterized by common themes, through lines transversal to all his works, though more evident in some than others. During the release and promotional tour of Call Me By Your Name, the Italian auteur came to realize that his last three films could be construed as an unofficial trilogy of desire, though he later repudiated the notion. Nevertheless, akin to Bergman's Silence of God tercet, Guadagnino's I Am Love, A Bigger Splash, and Call Me By Your Name complete a three-part thesis in cinematic form. Instead of the Swedish master's spiritual dread, we have a multifaceted portrait of human desire as a force so great it's both overwhelming and life-changing, magical and terrifying, a blessing, a curse, perchance a deliverance…

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Tuesday
Aug102021

Luca Guadagnino @50: Melissa P

Happy 50th Birthday to Director Luca Guadagnino today! Here's a look back at his little seen sophomore feature

by Jason Adams

For Luca Guadagnino, the process of making his second feature film Melissa P. in 2005 was not a good one. The signs were all there in advance, if he hadn't been lured in by the big American studio Sony that was financing the film -- for one, well, Sony itself. The studio ended up being terrifically intrusive, shoving on a puritanical ending and even hiring an on-set handler for the filmmaker, and he's said he feels the finished project was more their work than his own. But even earlier than that he'd only been able to make it halfway through the novel One Hundred Strokes of the Brush Before Bed on which the film was based. A sort of modern The Story of O it tells the loosely autobiographical story of a teenage girl discovering her body alongside a few sado-masochistic tendencies, and he's said he found the book schlocky but that he thought he could patch over those bits with some psycho-analysis. And, of course, Cinema. Always that...

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