Horror Actressing: Mia Goth in "Suspiria"

by Jason Adams

To tell the truth it's been taking me a coven's worth of willpower not to use this "Great Moments in Horror Actressing" series week after week as an excuse to go through the cast-list of Luca Guadagnino's  Suspiria one by one by one and highlight every single woman in the film -- there's nary a weak link in sight, everybody is serving something special, and that's a lot of every-bodies given how deep that cast-list runs. 

Thankfully I'm not alone in my obsession, and one of my favorite horror writers on the entire internet, Stacie Ponder at Final Girl, has devoted the entire month of October to doing just that. She's not just talking the stellar cast though -- every day she's dissecting themes and images and if you ask me proving to the naysayers (of which those of us who adore the film know there are many, more many, than there are lovers) that Guadagnino gifted us with a profoundly rich and moving horror masterpiece, aching up to its eaves with feeling.

Anyway Stacie's impelling piece last week on the love relationship between Susie (Dakota Johnson) and Sara (Mia Goth) finally managed to break my back with respect to holding out on talking this movie -- specifically I've had nothing but Goth's work on my mind for seven straight days. And what a blessing that's been...

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The New Classics: I Am Love

Michael Cusumano here to discuss a film that never fails to floor me.

Scene: Prawns
The story of Luca Guadagnino’s I Am Love pivots on a life-changing plate of prawns. It sounds ridiculous until you pause and remember that life is actually like that. One moment you’re having a routine day and the next a flood of emotions is precipitated by an unexpected trigger. These instances are difficult to explain in words, but what are movies for if not the moments when language fails?

Tilda Swinton’s character Emma Recchi doesn’t realize it, but she is primed for such a moment. A Russian who married into an Italian family of great power, she lives a life of comfort and wealth. She is not unhappy, exactly, nor is she mistreated, but her is existence is a cloistered one and she is expected to play the role assigned to her. In the film’s lengthy opening act she oversees a family birthday party that has the coldness of a modern art exhibition...  

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We Need to Talk About Suspiria / Third Tilda's a Charm

Please welcome guest contributor Maggy Torres-Rodriguez

Luca Guadagnino’s Suspiria is now available to stream on Amazon Prime. So if you’re looking for a flick to throw on, kick back and re-- really have your stomach churn, this is it. BUT before we get into that, can we first take a moment to talk about Dakota Johnson’s Met Gala dress (pictured above)...

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Call Julianne Moore By Her Name

by Jason Adams

A couple of weeks ago I told y'all about Luca Guadagnino's next film project, a feature based off of Bob Dylan's 1975 album Blood on the Tracks that he plans to make with Chloe Grace Moretz. Well Luca, never one to rest on them laurels of his, has sneaked in a totally seperate project while we weren't looking (or rather while we were gaping at the exploding heads of his Suspiria coven), much to my thrill. He's gone and directed a 35-minute short film slash "memory piece" for the fashion house Valentino that will star Kyle MacLachlan and Julianne Moore, along with Marthe Keller, KiKi Layne, Mia Goth (aka the secret MVP of Suspiria), and Alba Rohrwacher. Here's how it's described in Variety:

"Moore plays Francesca, an Italian-American writer who lives in New York and must return to Rome – and, by extension, her childhood – to retrieve her aging mother, a painter played at different ages by Keller and Goth. Layne plays “the spark that triggers the stream of consciousness in Francesca,” said Guadagnino, while Rohrwacher plays “a grande dame at a party. ”All the male characters – “fathers, lovers, servants,” Guadagnino noted – are played by MacLachlan."

Making a short-film for a fashion house probably isn't the best way for Luca to combat last week's criticism from the original Suspiria's director Dario Argento that he "makes beautiful tables, beautiful curtains, beautiful dishes, all beautiful…" but Luca gonna Luca (and bless him for it, quite honestly). The short was shot by Call Me By Your Name and Suspiria DP Sayombhu Mukdeeprom and the soundtrack is from Oscar-winner Ryuichi Sakamoto, and the plan is for it to hit legitimate film fests so stay tuned, fabulousness ahead.

Jason Gives Thanks

Team Experience members were invited to give thanks this week so you'll be hearing from a few of us. Here's Jason Adams... 

For all of the hairs on my head and the hours of sleep that I've lost in 2018 I do feel, just a little bit,  as if I've traded them in for a couple of worthy life lessons this year. Enough to make up for the state of the world? Not for all the hair and dreams that have ever been or ever will be. But I will say that feeling in a near constant state of emergency has made me a smidge bit of a better writer, and it's nudged me ever so gently towards getting some of my shit together. To paraphrase Ryan Gosling's schtick -- one small step for me, one giant leap (into the abyss) for mankind. Helluva trade. Here's some of the great stuff I'm thankful for the nudges from...

• Moviepass burned high and too too bright this year, echoing our migraines, but I'm thankful to the service at its height for letting me see Luca Guadagnino's Call Me By Your Name in the theater a personal record shattering 18 times - in a crazy world those six summer weeks learning about love and peaches with Oliver and Elio and Elio and Oliver were the only thing that made any sense to me. For a film so warm and sunny I'll weirdly forever associate it with walking through cold weather in Central Park to get to or from the Paris Theater, "Love My Way" by the Psychedelic Furs blasting in my ears. (I rounded up most of my writing on the film right at this link.) 

• Funny enough the end of 2018 belongs to Luca too, as the only music haunting my ear buds this Autumn has been Thom Yorke's by turns gorgeous, terrifying score for Suspiria. I'm thankful for that whole unholy beast of a film, bursting with ideas and emotions and Tildas...

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